A career which spans for more than 20 years, one EP and 18 albums have placed Attaque 77 as one of the biggest punk rock bands in Latin America. Natasha Sá Orósio speaks to drummer Leonardo de Cecco and bassist Luciano Scaglione.

This week’s Music for the Weekend comes from the pioneers of pop and some of the most outrageous dressers in Argentine rock music, Azafata.

The Argentine musicians of Babasónicos took over the radios in 1992 with the hit “D-generación” and since then have been one of the most acknowledged bands, not only in their country but also in all Latin America. They are part of the ‘new wave’ of Argentine rock that started to appear in the late 80’s […]

Grace Protopapas catches up with La Bomba de Tiempo’s only female member, María Bergamaschi, to talk about life in the percussion group and preconceptions about women playing the drums.

If you feel like dancing a glamorous tango around your living room, turn up the volume on this week’s Music for the Weekend which comes from the pioneers of electronic tango, Bajofondo.

Since 2009, Bandalos Chinos has come to define the word “fusion.” They are in the process of recording and releasing their first album. But, because they lack the funds to produce the master disc and copies, they are reaching out for potential donations with IdeaMe.

From dreamers and bibliophiles to grunge rockers and artists, Buenos Aires is a thriving city of culture that offers something for everyone.

When Carlos Inzillo started the Jazzología concert series in 1984, he pressed play on a jazz scene that had been paused by the military dictatorship. Natalie Schachar finds it is still going strong 28 years later.

Melanie Henderson meets the AfroSound choir, which unites 60 amateur and professional singers of all ages to sing African-American songs of praise in English.

This week’s Music for the Weekend comes from the world-class rock band Bersuit Vergarabat, whose distinctive blend of musical styles and politically outspoken lyrics have earned them an international following.