Michael Tanenbaum reviews Daniel Veronese’s Spanish language version of Mark St Germain’s award-winning play ‘Freud’s Last Session’. Currently showing at Buenos Aires’ Multiteatro.
by Michael Tanenbaum, 16 February 2012.
Michael Tanenbaum reviews Daniel Veronese’s Spanish language version of Mark St Germain’s award-winning play ‘Freud’s Last Session’. Currently showing at Buenos Aires’ Multiteatro.
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by Jessica Sequeira, 04 January 2012.
Construction workers’ union UOCRA’s belief that culture and work are the fundamental tools in the life of a man has led to the creation of a foundation, dedicated to the development of the artistic lives of workers.
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by Charlie Ramsay, 01 December 2011.
Charlie Ramsay visits GrinGo! stand-up, a new English language comedy show that’s not just for laughs, but foreigners too.
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by Anna White-Nockleby, 29 September 2011.
Anna White-Nockleby says narcissistic ironies thrive in expat writer Ben Kunkel’s, “Intruders,” the first English-language play to premier in Buenos Aires.
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by Mia de Graaf, 14 September 2011.
Feminist drama in Argentina has been a key aspect in the development of local culture and society, and not solely regarding women’s rights. With such a turbulent and inconsistent political climate over the last century and a half, Argentina’s women’s movements were, unlike in North America and Europe, forever dedicated to the wider political spectrum […]
by Jenny Conrads, 07 September 2011.
Is your secret dream to kiss Romeo on your balcony, become the new head of the Corleone family, or maybe come back to the future with your own kick-ass Delorean? If your lingering itch to become an actor has just gotten too irritating while you are spending your year abroad in Argentina, or if you […]
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by Amelia Jenne, 01 September 2011.
Not for the faint hearted – expect nudity, whips and spanking galore – ‘Sádica! ¿Quién rompe el silencio?’ provides a musical answer to the last chapter of the Marquis de Sade’s grim trajectory, and has returned to El Cubo is back for four performances only, due to popular demand.
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by Jenny Conrads, 30 August 2011.
When thinking of educational plays, one cannot help but imagine bored ten-year-olds trying hard to sit still while Shakespearian characters torture them with endless monologues. Not so The Performers, as Jenny Conrads finds out.
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by Anna White-Nockleby, 03 August 2011.
Buenos Aires is a city of theatres. From the historic Teatro Colón with its European-style grandeur to the first independent theatre, Teatro del Pueblo which opened its doors in 1930, the city’s contours are shaped by spaces of imagination. These theatres and alternative spaces premier an extraordinary number of new works by Argentine playwrights. Calle Corrientes, the […]
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by Anna White-Nockleby, 25 July 2011.
Anna White-Nockleby looks back at Teatro Abierto, a movement that would become one of the most important artistic resistances during the dictatorship, and its legacy, thirty years later.
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This week we revisit Sanra Ritten's piece from 2008 which is the ultimate guide to 'naughty' Argentine slang and expressions.